Monday, 17 March 2014

RADIO FREE OCTOPUS


So, that Jennie Dennet of Radio Cumbria says they're having a big gathering of local musicians on saturday morning at Dowdales school in Dalton, with the idea of introducing or re-introducing people to instruments and the social side of music making, and would we like to come along with some sound sources and do our thing live on the wireless?
So, here's the interview with Octopode Andrew Deakin, ( above right) and me, 
 https://soundcloud.com/johnny-octopus/rdaio-cumbria-bandstand

and a snatch of me playing Swan Lake on squishy hacked transistor radio with the Dalton Band.

https://soundcloud.com/johnny-octopus/octopus-on-radio-cumbria

Friday, 13 December 2013

PO BOX 25/4 LID a short story for FON AIR, Christmas 2013

A short story for FON AIR's seasonal broadcast, featuring Glenn Boulter on live Breadboard Lutes with  me reading and on fx from Octopus's studio at Piel View in Barrow.

 The video is largely unedited, here too is  the edited audio version, with added sound,  for broadcast . (it's shorter..less pauses.)

https://soundcloud.com/the-cardboard-lung/po-box-25-stroke-4-lid-new

Merry Christmas.

Friday, 15 November 2013

PAPER CONE MUSIC with Mark Vernon and the Octopus Collectives Hack Group

A live radio performance devised and led by Mark Vernon and featuring members of the Octopus Hack lab including me, Fiona Ogilvie and Steve Povey ( below). Broadcast live on Fon Air from our hq at PVH in Barrow Park. 

Marks notes read: "A group performance for paper cones, turntables, contact mics and sound effects records. Ideally up to 4 performers with 4 turntables  and up to 12 mics with stands. Using rolled up paper cones and sewing needles or scalpel blades as a stylus the performers play the records attempting to play each record simultaneously from as may different points as they can. The mechanism of the turntables is also miked up using contact mics. Each performer is in control of their own mix.  Gradually they build up a live soundscape from dead recordings of locations and events that were captured and imprinted on vinyl decades ago.
This version is a post-considered edit that blends a number of advance rehearsals and experiments with a live performance  of the piece by the Piel View Hackers Group."


There's more great work  from Mark Vernon and information about his many activities here:  http://meagreresource.com/

https://archive.org/details/PaperConeMusic

Sunday, 10 November 2013

HOW TO GIVE YOURSELF. A 2 channel piece for radio.

The 2 halves of a 2 channel piece recorded for the Dubbel Radio weekend in Stockholm in August 2013 , and broadcast simultaneously on frequencies loaned by 2 of the city's radio stations. Thanks to Knut and Sarah at Mobile Radio.



https://soundcloud.com/artspacebarrow/how-to-give-yourself-right

https://soundcloud.com/artspacebarrow/how-to-give-yourself-left

And both halves together, because life's too short..

Friday, 18 October 2013

IMPROMPTU FOR 2 HOMEMADE VIOLINS AND RADIO 4



Ingredients: wood, plastic rulers, drawing pins, pie case, tinfoil pie case, tinfoil, Slim Whitman lp cover.

Sunday, 29 September 2013

FIELD TRIP 2: SEVERAL YARDS OF RIVER.

A Sketch for Field Trip 2. Video and wild track recorded in and around the River Rother, Tupton, Derbyshire. Music recorded outdoors in Ulverston, Cumbria. The video is pretty compressed so best watched small-screen.

"A FIELD TRIP" with Glenn Boulter, Jim Tetlow, Mike Willoughby and the voice of Bob Dickinson, at Lanternhouse, 2011


December 2011. A composition for four radios and 4 players. Narrative read by Bob Dickinson at BBC Manchester (the last session before they levelled the place). The music  came through 4 small practice amps and the narrative was broadcast through 4 transistor radios set around the studio upstairs at Lanternhouse, Ulverston. The quality of the sound was affected by  the positioning and movement of the audience, reflecting the key themes of the piece. The recording was made on a Zoom, and through the in-camera mic, rather than through a desk in order to include these variations.